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lared out broadly. The tip was fitted with a mouthpiece of some soft golden material; the horn itself was of silver or silver-plated metal. There were no valves, but on turning it over he saw seven little buttons in a row. A half-inch inside the mouth was a web of silvery threads. When the horn was held at an angle to the light from the bulbs overhead, the web looked as if it went deep into the horn.It was then the light also struck the body of the horn so that he saw what he had missed during his first examination: a hieroglyph was lightly inscribed halfway down the length. It looked like nothing he had seen before, and he was an expert on all types of alphabetic writing, ideographs, and pictographs."Robert!" his wife said."Be right up, dear!" He placed the horn in the right-hand front corner of the closet and closed the door. There was nothing else he could do except to run out of the house with the horn. If he appeared with it, he would be questioned by both his wife and Bresson. Since he had not come into the house with the horn, he could not claim it was his. Bresson would want to take the instrument into his custody, since it would have been discovered on property of his agency.Wolff was in an agony of uncertainty. How could he get the horn out of the house? What was to prevent Bresson from bringing around other clients, perhaps today, who would see the horn as soon as they opened the closet door? A client might call it to Bresson's attention.He walked up the steps and into the large living room. Brenda was still glaring. Bresson, a chubby, spectacled man of about thirty-five, looked uncomfortable, although he was smiling."Well, how do you like it?" he asked."Great," Wolff replied. "It reminds me of the type of hou
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