d waiting for their new brothers and sisters to be led down into the mausoleums.The Thiefmaker’s wards all carried candles; their cold blue light shone through the silver curtains of river mist as streetlamps might glimmer through a smoke-grimed window. A chain of ghostlight wound its way down from the hilltop, through the stone markers and ceremonial paths, down to the wide glass bridge over the Coalsmoke Canal, half-visible in the blood-warm fog that seeps up from Camorr’s wet bones on summer nights.“Come now, my loves, my jewels, my newlyfounds, keep the pace,” whispered the Thiefmaker as he nudged the last of the thirty or so Catchfire orphans over the Coalsmoke Bridge. “These lights are just your new friends, come to guide your way up my hill. Move now, my treasures. There’s darkness wasting, and we have so much to talk about.”In rare moments of vain reflection, the Thiefmaker thought of himself as an artist. A sculptor, to be precise, with orphans as his clay and the old graveyard on Shades’ Hill as his studio.Eighty-eight thousand souls generated a certain steady volume of waste; this waste included a constant trickle of lost, useless, and abandoned children. Slavers took some of them, hauling them off to Tal Verrar or the Jeremite Islands. Slavery was technically illegal in Camorr, of course, but the act of enslavement itself was winked at, if there was no one left to speak for the victim.So, slavers got some, and plain stupidity took a few more. Starvation and the diseases it brought were also common ways to go, for those who lacked the courage or the skill to pluck a living from the city around them. And then, of course, those with courage but no skill often wound up swinging from the Black Bridge in front of t
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