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s wavering. He didn't know who he wanted to shoot most. I understood the feeling.Sybil gulped. Her own gun was falling down to her side. "I couldn't do that. And I couldn't stand her lying like that. I made myself believe it was a lie. So I went by one afternoon. She'd left the door unlocked, which I figured, and I walked in with this gun, but she was in the tub, singing away."Hollis looked sick."And I just stepped in the bathroom and I grabbed her heels and pulled," Sybil went on. "And after a minute, she stopped trying to get up." Sybil stood there, lost in the memory, the gun down by her side.Mary Nell screamed in horror. Paul Edwards launched himself at Sybil's gun, and Tolliver leaped over to knock me down behind the couch, his arms wrapped around me. Of course, a bullet could pass through the couch like it could pass through butter, but at least we were out of sight and mind.A gun fired, and there were more screams—I was pretty sure Mary Nell's was one of them. When there was a little period of silence, we stuck our heads around the end of the couch."You can get up," Hollis said, his voice heavy and about a million years old. Tolliver straightened first and helped me up. My bad leg refused to lock for a minute, leaving me wobbly.Paul Edwards was on his knees, clutching his shoulder. Behind him there was a dent in the wall, and pieces of glass glinted on the carpet. Mary Nell was standing as if she'd been turned into stone, glaring at Paul. Sybil was looking at her daughter."You dislocated my shoulder," Paul wheezed, "you little bitch.""I hit him," Mary Nell said in a disconcertingly childish voice. "I threw the glass apple and hit him.""Were you trying to hit him in the head?" Hollis asked. "I wish you'd aimed high
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